Thursday, March 04, 2010

Tragedy of the War by G.P. Cuttriss and J.W. Hood.

This poem was written by G.P. Cuttriss and J.W. Hood and comes from the nook “Over the Top With the Third Australian Division”.

The book contains an illustration which adds to the poem.


TRAGEDY OF THE WAR


From strife they now march back to smiling farms,
Recoiling from the crash and smoke and roar.
Meadows, all verdant, faerie fields, whose charms
Serve for a space to make them as before.
And peaceful pictures of the days of yore,
With thrilling thoughts of those they left behind
Flash thro' the mental vision, and a score
Of letters brightly occupy the mind
Without a care, or woe, or doubt of any kind.

Anon they journey from this place of rest
By night or early dawn back to the brink
Of that volcanic crater where the best
Sit tight, scarce caring if they swim or sink.
Silent they bear it, as they quietly think
The end approaching to their life at last,
And face each other, with a smile or wink
Outwardly stoic, tho' their hearts beat fast
As, thumping down, great shells come racing in and past.

Erase such thoughts from out the o'er-wrought brain,
Think rather of this freshness, and the sight
Of nature in her harvest dress, refrain
From plunging into the eternal night.
Such contrasts seem the only choice by right
Of those who battle for the joy of life.
Out on this troubled spot where Armies fight,
And peasants labour just behind such strife
Shorthandedly, unhelped, save by a child or wife.

So come with me down hedgerows, down the glades,
And thro' the cosy glens, till far away
We come unto a hill-crest--lights and shades,
Bright coloured landscapes far below us lay,
Blue mists and fields of yellow corn and hay,
In rows like soldiers, now the tired eyes see,
And poplars guard the distant dim roadway,
Whilst near the wind sighs thro' the acorn-tree,
Till one feels hushed, serene, contented, almost free.

And here, tucked back behind a leafy lane,
Low in a pocket of some sheltered ground,
An unpretentious farm, so snug and plain,
An invitation in itself; when found,
Only a whining howl like dingoes' sound,
Reminds one that there is a war near by.
The tools of peace see littered here around,
Weapons by which men learn to live, not die:
A plough, a drill, and there a binder standing nigh.

'_Bon jour, m'sieurs_,' a little hunchback cries;
A wizened, twisted human form divine;
She flashed a look of welcome from her eyes,
From which the soul of ages seem to shine.
'_Entrez_,' she welcomed, and her face looked fine,
As proudly bustling o'er her clean stone floor
She bade us linger, eat, and drink her wine.
Refreshed with food and drink, we loiter more
Within such cool retreat, delaying '_Au revoir_.'

And soon the human tragedy in course
Of progress thro' that little home becomes
Clear to the senses, and to us much worse
Compared with our Australia's peaceful homes.
For, oh, the pity, as one's vision roams
From there to here, and back on wings again;
A rush of feeling and emotion comes,
Whilst hearing this contorted piece of pain,
The stirring times of all their troubled lives explain.

For she to whom Fate seemed at first unkind,
Now lives an angel in a higher sphere.
This pained and twisted cripple seemed to find
Pleasure in living for her kinsfolk dear.
Hard work an honour, in her duty clear
To wives of brothers in the fighting line;
Women and children gather round her here;
For round their hearts her nature did entwine,
Her beaming face proclaimed 'See, Anglaise, they are mine.'

And all around these chubby children play,
Dirty, but happy, fed and cared for well,
With ne'er a troubled thought the live-long day,
For they know little of adjacent hell.
The hunchback warns us we are not to tell
About the 'Allemagne' whilst they are nigh,
Since all have known him in the past too well.
'Let them forget it as we often try.
_C'est la guerre_,' she said, and quickly brushed her eye.

And then she whispers, as we loiter near,
The story of their young lives years ago,
When, snatched from cradles, with a frenzied fear,
Their mothers hurried on before the foe;
Their men defend and screen them as they go,
And fight a rearguard action with the brute,
Who cares not for their agony or woe,
But only for the blood-streams and the loot.
And now she sees us watching one poor little mute:
'Ah! this one?' and she pointed to the dot
Who sat alone, and smiled to vacant space,
'Waits for her mother; very hard her lot;
For years now has she waited in her place.
"Where is her mother?" I can never trace
Somewhere beyond across "the no man's way."
Some day, perhaps,' she cried, with yearning face.
The tiny mite, tho' happy, could not play,
Except with little restless hands all day.

'Sometimes the shell come here right by,' she said.
'The other day, when I what you call wash,
A big boom quickly pass above my head,
And fall out in the field with a big crash.
But, oh, those children, they so very rash,
They know so little of the dreadful doom.
I come in time to save a fearful crash,
And catch them with the nose-cap in this room--
The nose-cap, unexhausted, from the boom.'

And then we start, inclined to say farewell.
We try to brighten up the little maid
Who sits alone, perhaps in faerie dell;
For she doth seem not in the least afraid.
She, smiling, takes the pennies which we lay
Within her hands, tho' distant is her smile;
And for a space she seemed with them to play,
But drops them ere we're scarcely gone, awhile
We wander back, half dumb, hard, thinking for a mile.

G.P. CUTTRISS and J.W. HOOD.






She, smiling, takes the pennies which we lay, Within her hands, tho' distant is her smile;

Tuesday, March 02, 2010

Bread By Ernst Lissauer.

This interesting poem appeared in New York Times in June, 1915. With this explanation:

Ernst Lissauer, the author of the famous "Song of Hate Against England" has written a second poem entitled "Bread," and directed against the British policy of cutting off Germany's food supply. The poem was published in the Bonner Zeitung and reprinted in the Frankfurter Zeitung of March 26, 1915. Following is a translation:


With arms they cannot overpower us,
With hunger they would fain devour us;
Foe beside foe in an iron ring.
Has want crossed our borders, or hunger, or dearth?
Listen: I chant the tidings of Spring:
Our soil is our ally in this great thing;
Already new bread is growing in the earth.

ADMONITION:

Save the food and guard and hoard!
Bread is a sword.

PRAYER:

The peasants have sown the seed again.
Now gather and pray the prayer of the grain:
Earth of our land,
With arms they cannot overpower us,
With hunger they would fain devour us,
Arise thou in thy harvest wrath!
Thick grow thy grass, rich the reaper's path!
Dearest soil of earth
Our prayer hear:
Show them of little worth,
Shame them with blade and ear.

Monday, March 01, 2010

A Cross in Flanders by G. Rostrevor Hamilton.

A CROSS IN FLANDERS by G. Rostrevor Hamilton


In the face of death, they say, he joked--he had no fear;
His comrades, when they laid him in a Flanders grave,
Wrote on a rough-hewn cross--a Calvary stood near--
"Without a fear he gave

"His life, cheering his men, with laughter on his lips."
So wrote they, mourning him. Yet was there only one
Who fully understood his laughter, his gay quips,
One only, she alone--

She who, not so long since, when love was new--confest,
Herself toyed with light laughter while her eyes were dim,
And jested, while with reverence despite her jest
She worshipped God and him.

She knew--O Love, O Death!--his soul had been at grips
With the most solemn things. For _she_, was _she_ not dear?
Yes, he was brave, most brave, with laughter on his lips,
The braver for his fear!



(Sir George Rostrevor Hamilton (1888 - 1967) was an English poet and critic. He worked as a civil servant: his experience as an inspector of taxes meaning he could help out his friend Walter de la Mare. He was knighted in 1951.

He had a classical education at the University of Oxford, and later compiled anthologies of Latin and Greek verse for Nonesuch Press. He was a published war poet of World War One, known for the rather conventional and sentimental A Cross in Flanders.

His book The Tell-Tale Article on the Auden Group made an impact by the expedient of counting the proportion of definite articles in Auden's verse, remarking that it was much higher than in older styles. In general he was a steady conservative in matters of literature.

He was a director of the Poetry Book Society, and well connected as a correspondent of many literary figures; including E. R. Eddison and Owen Barfield.).